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April 23, 2025

Article of the Day

Don’t Count Your Chickens Before They’re Hatched

Introduction The English language is rich with proverbs and sayings, many of which are not only linguistically intriguing but also…
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Television is often presented as a reflection of the world—whether through news, reality shows, scripted dramas, or documentaries. However, the truth is that all television is fabricated to some degree. Every show, no matter how “real” it claims to be, is shaped by editing, scripting, production choices, and underlying agendas.

While television can inform, entertain, and influence culture, it does not present reality as it is. Instead, it constructs a version of reality, designed to capture attention, evoke emotions, and fit a specific narrative. Understanding this fabrication helps viewers see television for what it is—a crafted product rather than an objective window into the world.

1. News Is Not Pure Information—It’s a Story

Many people assume news programming is the closest thing to “real” television, but even the news is constructed. Every aspect of a news broadcast is a choice:

  • What stories are covered and which are ignored—News stations select what to highlight based on ratings, political leanings, and audience engagement.
  • How stories are framed—The same event can be presented as a crisis, a breakthrough, or an irrelevant occurrence depending on how it is reported.
  • The use of visuals, music, and tone—News segments often include dramatic headlines, urgent background music, and selective editing to provoke emotional reactions.
  • Expert opinions and panel discussions—These often reinforce a particular narrative rather than presenting all perspectives equally.

News media does not just present facts—it curates and shapes them to fit a larger message, whether consciously or unconsciously.

2. Reality TV Is Scripted in Everything but Name

Reality television claims to capture unscripted human interactions, but in truth, it is highly manipulated:

  • Scenes are staged—Producers guide participants into conflicts, situations, and conversations that increase drama.
  • Editing controls the narrative—Hours of footage are condensed into short clips, selectively portraying people as heroes, villains, or fools.
  • Artificial stakes are created—Competitions, love triangles, and rivalries are exaggerated or even fabricated.
  • Participants are chosen for maximum effect—Casting selects personalities that will clash or create emotional reactions.

Even though “reality” TV features real people, the way they are presented is a constructed story, shaped by what will generate the most engagement.

3. Dramas and Sitcoms Are Carefully Designed Emotional Manipulation

Scripted television is obviously fiction, but even in its artificiality, it follows precise formulas to shape audience perception. Writers, directors, and producers understand how to create predictable emotional responses through:

  • Character archetypes—The relatable underdog, the comic relief, the misunderstood genius. These characters reflect idealized versions of real people, not actual personalities.
  • Story arcs—Most episodes follow a proven structure: setup, conflict, climax, resolution. Life does not follow such perfect pacing, but television makes it seem as if it does.
  • Cinematic techniques—Lighting, music, camera angles, and dialogue pacing all shape how a viewer interprets a scene.
  • Moral simplifications—Television often presents clear-cut good vs. evil narratives, even when real life is much more nuanced.

While scripted television does not pretend to be real, it subtly reinforces ideas about relationships, success, morality, and social dynamics that people often internalize.

4. Even Documentaries Have a Bias

Documentaries are often seen as factual, but they, too, are crafted narratives:

  • Selective storytelling—Directors choose what aspects of a subject to highlight and what to leave out.
  • Emotional framing—Music, interviews, and reenactments can make a story feel inspiring, tragic, or controversial depending on how they are arranged.
  • Expert selection—The featured experts are chosen based on what the filmmaker wants to convey.
  • Editing controls perception—Scenes are structured to lead viewers toward a particular conclusion.

A documentary can be truthful, but it is never an unfiltered presentation of reality—it is an argument, a perspective, or a message wrapped in a visual narrative.

5. Why Fabrication Matters

The fact that all television is fabricated is not inherently negative. Storytelling, production, and creative framing make television engaging. The problem arises when people mistake television’s constructed reality for the truth.

  • It creates false expectations. Fictionalized relationships, success stories, and conflicts influence how people view their own lives.
  • It manipulates public opinion. News and documentaries can push narratives that shape societal beliefs.
  • It distorts history and reality. Dramatized versions of events often replace actual facts in the public consciousness.
  • It conditions emotional responses. TV trains people to react in expected ways to certain symbols, phrases, or character types.

Being aware of the fabrication behind television allows viewers to think critically, question narratives, and separate entertainment from reality.

Conclusion: See the Illusion for What It Is

Television is not a neutral medium—it is a carefully constructed product designed to shape perception, generate emotional responses, and keep viewers engaged. Whether it is news, reality TV, scripted drama, or documentaries, every frame is an editorial decision, not an objective reality.

Understanding this does not mean rejecting television entirely—it means watching with awareness. See the illusion for what it is, and you control how it influences you.


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