The 1980s produced a number of dystopian films that explored the intersection of ascension, sacrifice, and population control, often portraying societies where survival was determined by governments, media, or unseen forces. While some films tackled the subject through direct state-mandated elimination, others used symbolic or psychological methods to explore the idea of who gets to ascend, who must be sacrificed, and how societies justify these actions.

This article examines a few key films that delve into these themes and how they shaped dystopian storytelling.

I. The Precursors: Films That Set the Stage

Logan’s Run (1976) – The Illusion of Ascension

Although released before the 1980s, Logan’s Run remained influential throughout the decade, inspiring many later dystopian films. It depicts a world where citizens must die at age 30 under the pretense of “renewal,” a process that supposedly grants rebirth. In reality, this ritual is nothing more than systematic population control, disguised as a spiritual or celebratory event.

This theme—a false promise of ascension to justify sacrifice—became a recurring idea in later dystopian films.

II. 1980s Films and the Control of Life and Death

The Running Man (1987) – Entertainment as Execution

Based on a novel by Stephen King (under the pseudonym Richard Bachman), The Running Man envisions a future where criminals and dissenters are forced into a gladiator-style television show. The masses are entertained by public executions, normalizing violence as a spectacle.

While this film does not center around “ascension,” it portrays a state-controlled elimination process, where survival is turned into a form of media manipulation. Those who resist are sacrificed, reinforcing state dominance under the guise of entertainment.

They Live (1988) – A Hidden Ruling Class and Selective Survival

John Carpenter’s They Live does not explicitly feature population control through ascension, but it does explore the elimination of those who “see too much.” The ruling class—aliens disguised as humans—use subliminal messaging to keep the population obedient and unaware of their oppression. Those who break free from the illusion are systematically hunted and removed.

In a way, They Live reflects a dystopian form of selective ascension, where only those in power thrive, while the rest remain entrapped in false realities.

Brazil (1985) – Bureaucratic Erasure of Identity

Terry Gilliam’s Brazil presents a world where the state exerts total control through bureaucratic elimination, a more subtle but no less terrifying form of population regulation. In this society, people are not executed outright but are instead erased through paperwork, false accusations, and re-education.

Instead of promising ascension, the system forces people to disappear in a way that feels arbitrary and senseless. The horror in Brazil lies not in explicit death, but in the gradual erasure of individual identity, reinforcing a cold, impersonal system of control.

Akira (1988) – Ascension Through Destruction

In Akira, the theme of ascension takes on a different form—one tied to power, mutation, and loss of control. The character Tetsuo gains god-like abilities due to government experimentation, but his “ascension” is not a spiritual one—it is a horrific transformation that threatens to consume both him and the society that sought to control him.

This film presents an alternative version of population control, where unchecked power leads to destruction rather than salvation. In contrast to Logan’s Run, where ascension is a lie, Akira suggests that ascension, when real, is often catastrophic.

III. Thematic Patterns in These Films

Across these movies, certain themes emerge, showing how dystopian fiction uses ascension, sacrifice, and elimination as tools of control:

1. State-Driven Control Over Life and Death
   • Logan’s Run and The Running Man depict governments using systematic elimination to maintain order.
   • Brazil shows bureaucratic suppression, where life and death are determined by paperwork rather than direct violence.
2. False Promises of Ascension or Renewal
   • In Logan’s Run, “renewal” is an illusion designed to prevent rebellion.
   • In They Live, the elite ascend while the masses remain ignorant and controlled.
3. Entertainment or Ritual as a Mask for Execution
   • The Running Man turns elimination into a public spectacle, keeping the masses entertained while reinforcing control.
   • Logan’s Run presents execution as a sacred ritual, convincing people that their deaths serve a higher purpose.
4. Individuals Who Break Free from the Illusion
   • In They Live, the protagonist discovers the hidden rulers and fights back.
   • In Akira, Tetsuo breaks free but loses control, becoming more dangerous than the system that tried to regulate him.
   • In Brazil, the main character attempts to resist but is ultimately absorbed by the system.

IV. Why These Themes Resonate

The idea of population control, ascension, and sacrifice in dystopian settings reflects real-world anxieties about government power, societal manipulation, and individual autonomy.

• Population control as a means of order – Many real-world societies have experimented with eugenics, sterilization, and forced sacrifices in the name of progress.
• Entertainment as a distraction from control – Modern media, like in The Running Man, often sensationalizes violence and conflict, creating a passive audience conditioned to accept control.
• False promises of a better future – History is filled with leaders who promise utopias but deliver oppression. The illusion of ascension keeps people compliant.

The 1980s, marked by Cold War fears, government mistrust, and rapid technological change, was the perfect era for these stories to take hold. They remain relevant today because they address timeless questions about who decides who lives, who dies, and who gets to rise above the rest.

V. Conclusion: Dystopian Visions That Still Matter

The dystopian films of the 1980s explored ascension, sacrifice, and elimination in ways that still resonate. Whether through state control, media deception, or bureaucratic oppression, these films revealed the many ways societies justify controlling populations.

• Some films portray forced sacrifice as necessary for survival (Logan’s Run).
• Others show elimination masked as entertainment (The Running Man).
• Some depict ascension as a horrifying transformation (Akira).

What remains constant is the struggle between those in power and those who resist, and the unsettling idea that sometimes, what is presented as ascension is really just another form of control.